Monday, January 16, 2012

BUSYBUSYBUSYBUSY

For the next 2-3 weeks I'm going to be super super busy, so updates will be sparse. But when I come back it'll be with a bang! Got a lot of stuff planned - part two (three? two-and-a-half?) of my Kirby retrospective, analyses of the Lizard and Bane, a review of Chronicle by my good friend Dom, and a secret project we're both working on. Stay tuned guys!

Sunday, January 8, 2012

THAT TIME OF THE YEAR! (part 1)

Just got back from The Artist with prooker; inevitably it got us thinking about our top 10 films of 2011. Before I dive in I should probably mention that I haven't seen most of the Oscar bait movies this season (yet), including Moneyball, War Horse, The Descendants, The Ides of March, Midnight in Paris, My Week with Marilyn, Shame, The Skin I Live In, Certified Copy, Beginners, A Separation, Margin Call, A Dangerous Method, Tinker Tailor Soldier Spy, or The Help. I'm working on the latter three - I'll probably see A Dangerous Method and TTSS with prooker, and even though I have no interest in seeing The Help whatsoever I got a free DVD of it.

Also I really wanna see Attack the Block. Just sayin...

And without further ado, here are my picks:

1. Drive
2. The Artist
3. Take Shelter
4. Hugo
5. The Adventures of Tintin
6. The Tree of Life
7. Martha Marcy May Marlene
8. Melancholia
9. Super 8
10. Rise of the Planet of the Apes


I bet this list will be very different once I've seen the films I mentioned in the beginning; at the very least I'm sure the bottom five will have changed significantly. Nothing's dethroning Drive, though. Nothing.

UPDATE 1/23: In the past two weeks I've seen The Help (dreadful), The Descendants (actually decent), Moneyball (great), Attack the Block (swag as hell) and Tinker Tailor Soldier Spy (spectacular). I'm seeing Shame this weekend and will likely get around to Midnight in Paris too via iTunes; after that I'm probably going to have to call it quits. I'll write up my completed top 10 list then, with brief explanations for each pick. Since I was underwhelmed by The Descendants, the likeliest best picture winner after The Artist and maybe Hugo - is it really Oscar-worthy or has this just been a mediocre year, a la 2008? - I'm assuming the less-favored of the big contenders (Ides, War Horse, Beginners et. al) will inspire the same reaction. Still upset that I didn't get around to Marilyn, The Skin I Live In and A Dangerous Method, though. :(